BOOKS + EXHIBITION PUBLICATIONS

Monograph

Sheila Pepe: Hot Mess Formalism, Vicario, Gilbert, ed., Phoenix & New York: Phoenix Museum of Art and DelMonico Books-Prestel, 2017.

Recent

Archives of American Art’s oral history program, Smithsonian Institution, Washington DC, interviewed by John Corso Esquivel, invitation and process begun 2022

Tabernacles for Trying Times, by Jaime DeSimone, Portland Museum of Art, 2020

Art & Queer Culture –Revised, by Catherine Lord & Richard Meyer, Phaidon, London. 2019

Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect by John Corso Esquivel. Routledge, 2019

Ten At Seven by Candice Madey. SJ Weller Fund. NY 2019

Queer Abstraction, by Jared Ledesma and David Getsy, DesMoines Art Center, Iowa, 2019

Vitamin T: Threads and Textiles in Contemporary Art, Phaidon, Jenelle Porter, London. 2019

Bound

Aldrich Contemporary Art Museum, The. The Domestic Plane: New Perspectives on Tabletop Art Objects, New York: George R Miller & Co., 2018.

Metropolitan Museum of Art, The Artist Project, What Artists See When They Look at Art, New York: Phaidon, 2017.

Cooper, Ashton, “Queer Abstraction…” (a Dialogue), ASAP Journal, Johns Hopkins University Press, 2.2, May 2017.

Jane Hartsook Gallery, Greenwich House Pottery. Ceramics Now. Essay by Adam Welch. New York: Greenwich House Inc., Greenwich House Pottery, with Grenfell Press, 2017. 

Porter, Jenelle, with contributions by Glenn Adamson, T’ai Smith, and Sarah Parrish. Fiber: Sculpture 1960–Present, Boston: ICA/Boston and Prestel Publishing, 2014.

Brooklyn Rail, and The Dedalus Foundation. Come Together: Surviving Sandy Year 1. Milan, Italy: Skira Editore, S.p.A., 2014.

Hanni, Margaret A., ed. Breaking New Ground in Art History, A… in Honor of Alicia Craig Faxon, New Washington D.C.: Academia Publishing, 2014

Lord, Catherine and Richard Meyer. Art and Queer Culture. New York: Phaidon Press Inc., 2013.

Berry, Ian and Michael Duncan, eds. Someday is Now: The Art of Corita Kent. Prestel, New York, 2013. (conversation with C Moyer)

Sandino, Linda and Mathew Partington, eds. Oral History in the Visual Arts. New York: Bloomsbury, 2013.

Cassel-Oliver, Valerie. Hand + Made: The Performative Impulse in Art and Craft. Houston: Contemporary Arts Museum Houston, 2010.

Guida, Cecilia, Juan Esteban Sandoval, Paolo Naldini, and Asilo Bianco. ARTInRETI: Artistic Practices and Urban Transformation in Piedmont. Biela, Italy: Cittadellarte—Fondazione Pistoletto, 2012.

Cvetkovich, Ann. Depression: A Public Feeling. Durham & London: Duke University Press, 2012.

Levin, Amy K., ed. Gender, Sexuality, and Museums: A Routledge Reader. New York: Routledge, 2010.

Hieber, Lutz, and Martin Stather. Break the Rules. Mannheim, Germany: Mannheimer Kunstverein, 2008.

Kushner, Marilyn S. The Future Must Be Sweet. New York: Lower East Side Printshop, 2008.

McFadden, David. Radical Lace and Subversive Knitting. New York: Museum of Arts and Design, 2007.

Joy, Jenn, with Helaine Posner, Sheila Pepe, and Judy Pfaff. Mind the Gap. Amherst, MA: University Gallery, University of Massachusetts, 2006.

Jersey City Museum. First Look: The Essential Guide to Jersey City Museum. New Brunswick: Rutgers University Press, 2006.

Dunbar, Elizabeth. Decelerate. Kansas City: Kemper Museum, 2005.

Rush, Michael, and Dominique Nahas. Two Women: Carrie Moyer and Sheila Pepe. Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2004.

Gangitano, Lia. Josephine. New York: Thread Waxing Space, 2000.

Hammond, Harmony. Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000.

Harris, Susan, and Jennifer Gross. Drawing the Question/Drawing a Conclusion. New York: Dorsky Gallery, 1998.

Grunenberg, Christoph. Gothic: Transmutations of Horror in Late-Twentieth-Century Art. Boston: MIT Press, 1997.

Ephemerma

Bancroft, Shelly. Strings Things and Pictures. Boston: Mills Gallery, Boston Center for the Arts, 1999.

Barkan, Hope, and Michael Wentworth. Frontline: Ten Contemporary Draughtsman in New England. Boston: Boston Athenaeum, 1999.

Beccaria, Marcella. Fictions. Turino, Italy: Galleria Guido Carbone, 1996.

Daniel, Marko. We Have Never Participated: The 8th Shenzhen Sculpture Biennale. Shenzhen, China: OCT Contemporary Art Terminal, 2014.

Nahas, Dominique. Shrink. Middletown, CT: Wesleyan University, 2000.

Posner, Helaine. High Hopes. Hamilton, NY: Colgate University, 2002.

McGregor, Jennifer. Verging on the Real. New York: Wave Hill Glyndor Gallery, 2001.

Kistler, Ashley. On Site/Artists’ Projects: Under the F&G. Richmond, VA: Hand Workshop Art Center, 2003.

Williams, Gregory. Arrested Ambition. New York: Apex Art Curatorial Program, 1999.